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Syuyumbike Opera in three act by Reseda Akhiyarova Libretto by Renata Haris Renat Salavatov (Conductor) Lyubov Draznina (Chorusmaster) Yuri Alexandrov (Stage Director) Viktor Gerasimenko (Set Designer), Victoria Kharhalup (Costume Designer), Arseny Radkov (Lighting Designer), David Avdysh (Choreographer) Arslan Sibgatullin (Utyamysh - Khan of Kazan) Gulnora Gatina (Syuyumbike - regent, mother of Utyamysh) Ahmed Agadi (Ivan Vasilievich IV The Terrible - Tsar of Moscow) Filius Kagirov (Shah Ali (Shigalei) Artur Islamov J. (Koshchak - the head of the palace guard, beloved of Syuyumbike) Irek Fattakhov (Bibars - Murza, head of government) Ekaterina Sergeyeva (Anastasia - Tsarina, wife of Ivan the Terrible) Yuri Ivshin (Prince Peter Silver) Venera Ganeeva (Nanny Utyamysha) The State Opera of Tatarstan, Kazan, 17 July 2021.

Geneva Competition 2024 Singing Competition, Final with orchestra Orchestre de la Suisse Romande, Alevtina Ioffe (conductor) Geneva, Grand Théâtre, October 22, 2024.

Angélique Kidjo JazzOpen, Stuttgart, 20 July 2024.

Philippe Mouratoglou Trio Philippe Mouratoglou (acoustic guitars) Bruno Chevillon (Double bass) Ramon Lopez (drums) Paris, Studio de l'Hermitage, May 15, 2025.

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Il Giardino Armonico, Giovanni Antonini (recorders, transverse flutes, artistic Direction) Improvisation Josquin des Prez L’homme armé – canon à 4 from Canti B numero cinquanta La Spagna à 5 Heinrich Isaac La my Anonymous La Spagna à 2 Anonymous Consort IX Hayne van Ghizeghem De tous bien plaine Roelkin (Rodolphus Agricola?) De tous bien plaine Alexander Agricola Tandernaken William Cornish Fa la sol; Consort VII Alexander Agricola Fortuna desperata à 6 Giuseppe Guami Canzone à 4 L’Accorta Anonymous T’Andernaken William Brade Der Pilligrienen Tanz Augustine Bassano Galiarda William Brade Der Hasen Tantz Anthony Holborne Pavana The Funeralls and Galliard à 5 William Brade Courante Giuseppe Guami La cromatica William Cornish Ah Robin, gentle Robin John Baldwin A Browninge of 3 Voc. William Brade Ein Scottish Tantz; Rotschenken Tanz; Die Nachtigall Jacob van Eyck Engels Nachtegaeltje for solo recorder Tarquinio Merula Canzon La lusignola, Op. 1 No. 2 Giovanni Bassano Diminuzioni su Introduxit me rex del Palestrina Samuel Scheidt Canzon à 5 ad imitationem Bergamasca Anglica SSWV 64 Festival Wratislavia Cantans, White Stork Synagogue, Wrocław, 11 September 2022.

Make'em move Andy Emler MegaOctet Andy Emler: Direction, composition, Piano Eric Echampard: Drums Claude Tchamitchian: Double bass Francois Verly: Percussion Francois Thuillier: Tuba Laurent Blondiau: Trumpet Laurent Dehors: Tenor Saxophone Guillaume Orti: alto saxophone Phillipe Sellam: alto saxophone Company Lady Rocks Léa Cazauran: Dance and Choreography Dancers: Julia Ortola aka Funky J. Rodrigue Lino Jesus Gabriel Gil Sanchez aka Blackeye Maelle Dufour Lisa Dwomoh aka Melle Leeza Santiago Codon Gras Ludovic Piscionneri Virgile Garcia aka Amour Le Perreux, Center des Bords de Marne, May 16, 2023.

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La Chauve-Souris (Die Fledermaus) Operetta in three acts by Johann Strauss II 1825-1899 Libretto by Carl Haffner and Richard Genée based on 'Le Réveillon' by Henri Meilhac and Ludovic Halévy First performance in Vienna, Theater an der Wien, 5 April 1874. New production adapted in French based on the text and the names of the characters of 'Le Réveillon’ Orchestre de Picardie, Johanna Malangré (musical direction) Chorus of the Lille Opera Laurent Pelly (stage direction, costumes) Chantal Thomas (set design), Michel Le Borgne (lighting) Agathe Mélinand (adaptation of the libretto, dialogues), Moshe Leiser, Patrice Caurier (French adaptation of the sung texts) Guillaume Andrieux (Gaillardin) Camille Schnoor (Caroline) Marie-Eve Munger (Adèle) Christophe Gay (Duparquet) Raphaël Brémard (Bidard) Franck Leguérinel (Tourillon) Héloïse Mas (Le prince Orlofsky) Julien Dran (Alfred) Eddy Letexier (Léopold) Claire Antoine (Ida) Lille, Opéra, 11 June 2024.

Richard Strauss and his Heroines Divorce! After six years of marriage the choleric and chronically jealous Pauline, daughter of a general, has had enough of Richard Strauss. Pauline always knew it: her husband who at 36 is celebrated as the most important living German composer across the globe is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the love affairs of the artist? The film Richard Strauss and his Heroines goes on an exciting journey discovering the women in Strauss’ life. At the focus is primarily his relationship with Pauline, to whom he was married for over 55 years up to his death. Until today she applies as a harridan who often embarrassed her husband in public. It hereby falls under the table that Strauss at the beginning and the end of his relationship composed his finest songs for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history, from the Empire to the Nazi dictatorship to the post-war period, write in 1948 in his final song (“At Sunset”) one of the most moving declarations of love in the history of music: “We have through sorrow and joy gone hand in hand”? Richard Strauss and his Heroines – this is the first filmed search for clues about the unforgettable heroines created by Strauss. It is both the story of a turbulent, and at the end moving, love story of two people who were prepared to walk through fire for each other. We visit Strauss' last surviving grandchild in Garmisch and we meet the great Strauss singers Brigitte Fassbaender, Reneé Fleming, Dame Gwyneth Jones and Christa Ludwig, who report on their famous Strauss roles. With the conductor Franz Welser-Möst we research the secret of Strauss’ instrumentation genius. Strauss expert Christoph Wagner-Trenckwitz, member of the board of the Vienna Volksoper, leads us through the film. Directed by Thomas von Steinaecker 2014.

Israel Philharmonic Orchestra, Lahav Shani (Conductor) Pinchas Zukerman (Violin) Max Bruch (1838 -1920) Violin Concerto No. 1 in G Minor, Op. 26 Paul Ben-Haim (1897 – 1984) Berceuse sfaradite for violin and piano Pyotr Ilyich Tchaikovsky (1840 – 1893) Symphony No. 4 in F Minor, Op. 36 Tel-Aviv, Charles Bronfman Auditorium, 21 October 2021 Directed by Christophe Boula.

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